Standing before a history of art that chooses to interpret works as either objects or subjects these works converge at the intersection of different thoughts. Part painting, part sculpture, part design, they are a concentrated amalgamation of spatial concepts imbedded with the emotional residue of the ongoing perceptual experience.

In a continual progress of developing these ‘Torqued Paintings’ I am currently exploring different size proportions of stretcher frames to expand the visual field into greater extremes of subtly and intensity.